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He includes a note telling Susan that without their time together, he never could have written it, and that they should meet for dinner when he is in town on business.
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It’s a proof of his first novel, titled Nocturnal Animals.
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Susan gets a package from her estranged ex-husband Edward. Her husband, the wealthy and dashing Hutton, may or may not be having an affair, and he seems uninterested in salvaging their faltering marriage.
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We first meet Susan Morrow, an art gallery owner and the personification of that old adage “money can’t buy happiness.” Her latest art exhibit is a hit, but she feels unfulfilled in both her professional and personal lives. Seamus McGarvey gives Nocturnal Animals both a sumptuous and desolate look, each a reflection of the complicated and layered story. Also like A Single Man, Ford teamed up with an extraordinarily talented cinematographer. Just like his first movie, Ford not only directed this one, he also produced it and adapted the screenplay from a novel, Austin Wright’s Tony and Susan. Nocturnal Animals validates that assessment. His first, the Oscar nominated A Single Man, announced his arrival on the filmmaking scene as a major talent. It’s a nasty bit of storytelling that sticks with you long after you’ve seen it. Just like that opening sequence, your reaction to the characters and their actions is a view into your own psyche more than anything else. By turns it made me exhilarated, nauseated, and mournful. Nocturnal Animals is a meditation on gender politics wrapped up in a twisted story-within-a-story of rape, murder, and revenge. It’s intentionally confrontational in what is a particularly confrontational movie. Ford probably included it just to get a rise out of people. It’s one of those cinematic moments that tells you more about yourself than the film you’re watching. Your relative comfort with bodies that don’t conform to the Hollywood ideal of beauty will play a role in how you react, as well as how you feel about your own body. There’s no context for what is on the screen until the sequence is over. Opinions about the sequence range from calling it body shaming to body positive.
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A series of naked, morbidly obese women, each with a single stylistic flourish like a drum majorette’s hat or a pair of boots, gyrate on screen in super slow motion.Ībsolutely nothing is left to the imagination.
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Brown Art Director Diane Sabatini Co-producer, Unit Production Manager Diane Sabatini Co-producer, Unit Production Manager Donald J.If there’s any doubt that fashion-designer-cum-film-director Tom Ford loves playing the role of provocateur, the opening to his new film, Nocturnal Animals, should cast it out.
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Cast Amy Adams Susan Morrow Jake Gyllenhaal Tony Hastings/EdwardSheffield Michael Shannon Bobby Andes Aaron Taylor-Johnson Ray Marcus Isla Fisher Laura Hastings Karl Glusman Lou Armie Hammer Hutton Morrow Laura Linney Anne Sutton Andrea Riseborough Alessia Michael Sheen Carlos Ellie Bamber India Hastings Robert Aramayo Turk India Salvor Menuez Samantha Morrow Imogen Waterhouse Chloe Franco Vega Driver Zawe Ashton Alex Evie Pree TV Woman Voice #1 Beth Ditto TV Woman Voice #2 Graham Beckel Lieutenant Graves Neil Jackson Christopher Jena Malone Sage Ross Lee Benton Office Executive Kristin Bauer vanStraten Samantha Van Helsing Sydney Schafer Hostess Evan Bittencourt Elevator Operator Janet Song Nurse Michele Dunn Video Woman #1 Lori Jean Wilson Video Woman #2 Peggy Richardson Video Woman #3 Piper Major Video Woman #4 Crew Tom Ford Director, Producer, Screenwriter Abel Korzeniowski Composer (Music Score) Alexandra Nourafchan Associate Producer Ando Johnson Sound Effects Editor Arianne Phillips Costume Designer Austin Wright Book Author Casey Schatz Visual Effects Supervisor Christophe LeChanu Second Assistant Director Christopher L.